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I picked up this $60 electric frying pan.  Because I am going to fry my quilt.  lol

Well, okay, not really. So, here's a question.  Have you seen Riusuke Fukahori's work? 


If not, you're probably saying to yourself  "Why is she showing us a picture of some goldfish in a wooden tub?" And if you're saying that, you would be WRONG.  Because that is a picture of a painting of goldfish in a tub. 

And after you've thought about that for a second, you're probably saying "Wait.  ... What?"  (I know, right?)

So, what he does is he takes the tub see, and he pours some resin in it to where the bottom layer of the fish would start. Say, an inch and 1/2 of a resin. 

And then, once the resin is dry, he paints the outline of some goldfish. And then, when that's dry, he paints a thin layer of resin over top of it all, waits until that dries, and then paints some of the filler of the goldfish body on top of  the prior layers, and waits for them to dry. And then he paints another layer of resin over it all, and then another layer of goldfish body etc..; and he does this every day for like, a month (I assume, because a single layer of resin takes 12 hours to dry); and he continues to do this until he has what looks like a group of 3 dimensional goldfish swimming around in water. Except they're painted on resin in the tub.  How cool is that?



Here's a video about him - there used to be one where he actually showed the process using time-lapse photograhpy, (which is the one I saw); but unfortunately, that one was taken down due to copyright violations.

So, I saw that video 3 months or so ago, and I thought it was really cool but had nothing to do with me.  But the technique kept popping into my head at odd moments, and I wondered whether or not it could be done with fiber art.  And whenever that question popped in to my head, I would say "no" to that question, and go on to other things, and several days later, this little voice would pipe up with a "Why not?"

Which is why...



Because I figured, encaustic wax and fiber art go together (at least in some circles); and it dries pretty translucent - and this particular encaustic wax says it dries clear.  Pretty exciting, right? 

So, here's my little cottage in the woods background, on a cookie tray from the dollar store lined with parchment paper, next to my brand new encaustic-melting-skillet and a cool new brush for encaustic wax, and here I go!  (It's a nail-biter, I'm telling you!)


So, I melted the encaustic wax and painted a thin layer of it over my quilted back-ground, and waited anxiously for it to dry. And while I was waiting for it to dry, a blob of the melted wax that had been dropped on the paper next to it dried.  

 
I know, I know!!!!!!!!!

It's so obvious, right? 

Acccccck!!!!

See what happens next on Friday....

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'cuz you know what a cottage in the woods needs (well, when your theme is the Musicians of Bremen, anyway)?


Musicians!

So, here is a lute-playing donkey, ready to be quilted.


And a fiddle-playing cat, in the same state.



A kettle-drum playing dog that's already been quilted,


And a rooster who does what else? Sing!  Here he is on a four inch square ruler so you get the idea of the scale of this piece.  It's tiny!




You know what else is tiny? All of those little fused and quilted stones, and those teeniest of tiniest leaves on those wee trees!

                        

I wonder where all those musicians will go?

Never mind that - I'm askeered of the next part! So far, everything's been pretty normal, right?  Right!  Well, coming up is where I start to veer off track.  It's a nail biter!

Oh, and about that winner - it's Elle!  Elle, please contact me at kit.lang.ltd@gmail.com with your snail mail address!

Cheers,

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Say that five times fast!!!

                            


I'm doing Jodie Carleton's Rag-Rug-Along at Vintage Ric-Rac.  Thank goodness she doesn't have any due dates, because I've been working on this thing for months, (well, an hour here and there) and it's only the size of a dinner plate.  lol  That said, if you're a joiner, you can still do so, 'cuz she's cool like that.  :)

And also - I told my friends last week I was pregnant (and they all said "Ooooo0000ooo???? Because I'll be 50 and menopausal - lol); but my baby arrived last night. May I introduce you to Tyler Jackson Lang:



A one year old Yorkie-Poo from one of our local pounds.  He's loverly!

And don't forget - the giveaway ends tonight at midnight!

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So I made a teeny little cottage in the woods using my teeny tiny patterns and I put it in amongst the trees.



and then I got the rest of my fabric ready for fusing, because there are an unbelievable amount of teeny tiny little bits of pieces going into this piece.




Fused fabric ready to go....




don't forget about the giveaway, you can enter until midnight tomorrow.

Cheers!
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(Sssssp! Don't forget about the fabric giveaway!)


That was the question I asked myself when I decided to do this project. Because the cottage is where all the action takes place - and it's in a forest. I didn't want to have a painted forest necessarily because of the secret technique I'm going to be trying with this piece (don't worry, you'll see it when I get to it!) - but before we get to that, I decided I needed a fairly textural first layer.




You can see once again that I traced the big tree that goes behind the cottage to make a pattern.

But as for that forest - I decided that a fabric that did most of the work for me (without actually being a print of a forest!) was the way to go.




Ta da! Hiding in my stash, I had some scraps of silk brocade. And what I LOVE about this fabric is that when you initially look at that fabric, you might think "What the heck will I do with that?" But look! Here it is pieced together carefully (I thought it important that a lot of those blues and blue-ish green bits lived together closely for my dark-ish forest) - it turns out it's really the perfect background for this piece when lightly quilted.



Here's where we're heading by the way... once this background is finished, there will be a little stone path leading to the cottage, the cottage itself, a fire, my little animals with their instruments, and of course, one more tree.

You can see by my blurry notes, that I didn't fill in the whole sketch - it was just meant as a guide - mostly for pattern pieces.

By the way, if you're not familiar with The Musicians of Bremen - you can read the story here.

See you Friday for some more cottage in the woods goodness!

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and a new technique!  I don't know how it's going to turn out, but let's find out together, shall we?



Earlier today, I was checking in on some of my favourite blogs and saw Mary Stori's beautiful unfinished piece called Bluegrass Postage Stamp Quilt.

I don't know why, but as soon as I saw it, it reminded me of the Brother's Grim story, The Musicians of Bremen.

There is a new technique I've been wanting to try, and I thought this would be the perfect piece to try it.




I started with a sketch, as usual, and because it's going to be a many-layered piece; before I started drawing the rest of the sketch, I needed to trace an overlay of its composite pieces as a template for the fabric.




and speaking of fabric - I thought these lovely scraps of silk brocade would be a good background.

Let's see how that works out on Wednesday, yes?  And don't forget about the giveway. It closes on Saturday, March 10 at midnight.

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