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Happy Monday everyone. :) I'm working on a journal sketch/quilt right now. 


I started with a piece of black, heavy weight jersey cotton, marked it with chalk and then loosely stitched the markings with some white thread.  And then I pulled those same threads up tight and tied them off. 



(You'll note that I decided not to stitch up the circled area after all.)

Once I pulled the thread tight I used a small-sized squeeze bottle to apply undiluted household bleach along the pulled areas, and sprinkled drops randomly over the blank area.   I watched it carefully until it was approximately the colour I wanted (allowing for the darkness of the dampness) and then quickly, and very thoroughly, rinsed with cool water.  If you try this at home, rinse it a LOT - if you don't rinse out all the bleach, it will keep discharging.


In the end, I had this.

I also did a few more along the same lines - one of which is the basis for my next piece.  More on Wednesday...
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Well, it's that time - I thought I would step up to the mic and tell you the sad tale of my abysmal failure.  lol

You may remember that about a month ago, I had an idea to see if I could do something similar to Riusuke Fukahori's resin work in textile. I was totally sure it would work, so after a errant step into encaustic, I shook off my paw and happily skipped off to get some resin.


The first layer turned out really well, and I was pretty excited.  The only problem I found was that it didn't provide enough depth to create the look I wanted, so I knew I'd have to do 3 or 4 more layers before I could start laying the animals out.  But, so what, right? Fukahori has to do like, a gajillion layers of resin - what's 15 or 20 layers for  me?!?


The next layer turned out equally well, although it took longer to dry. The first layer took about 12 hours, the second layer about 18 hours.  (You see where this is going, right? I didn't. I mean, I suppose I would have, if I'd actually thought about it, but I just kept blithely going on...)



But I soon realized it's inherent problem was built right in. It was a glazing resin. I was already through my 3rd box and my first layer of animals was only covered half way, and the drying time between layers was taking 5 or 6 DAYS.

 
This pic was taken at day 5 - and as you can see, it's nowhere near dry.

It was time for me to re-assess. 

I'd have to use another 3 boxes to finish the piece, and at this advanced drying time, it would take me months to finish the piece - not to mention, at $36/box, this was becoming quite an expensive enterprise.

Enter my new hero, CASTING RESIN.
 
At only $22 for the medium size, this was clearly going to be a far more economical enterprise, and it promised a drying time of only two hours!  I was practically dancing with excitement to get it done and show you the result.

I mixed according to directions, carefully poured it over my piece (made a comment to myself along the lines of "Wow. This stuff is WAY more smelly than the glazing resin") and then cleared a space to set it to dry. 

I began tidying up my room to start another project and became aware that the "chemical" smell was becoming quite unbearable. I opened windows throughout the floor that my sewing room is on, made sure all the doors were open, and got to work on the next project. 

About 1/2 an hour later, BSP came downstairs and "yelled" "Are you trying to KILL us??!! WHAT IS THAT SMELL???!!!" I went upstairs and discovered that the smell was all through the house. Oh-oh!  I opened up some more doors and windows, took a break to have a diet Coke and chat with BSP and then went downstairs again where I was practically knocked over by the incredibly powerful smell of the resin. 

With apologies to the Day Supervisor, There was nothing for it but to move the project outside.

Unfortunately, I knew it would be ruined. It had to have a mininum temperature of 70 degrees to set well and this was Ontario, in March. (eep!) We'd been having warmer temperatures than usual, but 70 was a lot to ask, especially at night.

I put it outside, covered it to protect it from anything that might fall on it and left it.  I mean LEFT it.

I knew it was going to be ruined and I wasn't psychologically prepared for that, so I left it there for a couple of weeks. I finally picked it up about ten days ago, brought it down to my sewing room and uncovered it.


::sigh:::

So, until it's summer weather here, that's the end of my resin experiments. However, having assessed the time, cost and effect, I may not do this again.

Here's how it all worked out, re expenses:

1.    Encaustic wax, damar resin and electric frying pan  $160
2.    3 boxes of glazing resin @ $36/each                         $108
3.    1 can of casting resin                                                 $22
4.    Silk and other fabrics, batting, fusible, thread           $20

GRAND TOTAL:    $310

THREE HUNDRED AND TEN DOLLARS!!!!  (I'm glad BSP doesn't read my blog. lol)

Now, to be fair, I'll give the the encaustic stuff another whirl (I've already got an idea for something I want to try), so we can take $160 off that total price tag.  And our learnings have taught us that glazing resin is not the answer, so we'll just need casting resin in the future, and for a piece this size (8 x 10) I'd probably only need two cans, so that's $44 plus the supplies for the quilt itself at $20, so all told, it's $66 rather than $310. 

But still....

$66 for an 8 x 10 piece is quite an investment. And as you know, I usually work in the 20 x 30" or 30 x 50" size, so that price would probably be more like $150 which is getting a up there again.  I mean if I spend $150 on a quilt, I should be able to sell it for at least twice that much. But I've never sold an art piece before and I don't know what the market will bear...but I don't think it'll be $300 for an 8 x 10" piece!

And, the truth of it is, if you look at that first pic up there where everything was going so well, it looks fine, but it doesn't look awesome.  I mean, the addition of the resin made you go "Oh. Cool." but it didn't really add anything to it. 

Except weight.  A LOT of weight.  lol

By the time we got to the point where the piece was ruined, it was already about 3 pounds.  And that was prior to the next couple of layers being added on - don't forget - this was just layer one of the animals; there was supposed to be another layer of animals and then another layer of trees - this thing would have weighed about 10 pounds, possibly more (!) by the time it was done, and it was only 8 x 10"!! 

So, expense + weight + "not that cool after all"  = I probably won't do this again.

But, nothing ventured, nothing gained, right?  Stay tuned for my next adventure!

And have a wonderful holiday weekend whether you're celebrating Easter, Pesach or just some time off!

I'll be golfing. :)
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You start out with an idea... maybe even a good idea - "I want to make a piece about trees.  Ordinary trees that grow long and tall and develop feet; because they need to walk away from our polluted water table. So the piece will be called 'Walking Tall' ."




And you want the trees to be autumnal, so you think that if you cut strings of fabric in autumnal colours, fuse them randomly to a background fabri:



And then cut those fused strings into "tree top" shapes, you could lay them on your beautifully prepared background, and add the walking feet and have this really cool, post-apocalyptic (or pseudo-post apocalyptic) tree scape. ('Cuz as you know, I have this fascination - borderline obsession with trees.)



and so you put it all together, and you end up with weird, multicoloured clouds and you can tell immediately that they cannot be saved.

(But you save the background, and after a few days of thinking about something else, and having the background hanging around pinned up on your design wall, you realize that it could become THIS. )

And because that's happened too many times to mention - I never worry about it when my first, or second, or even third attempt doesn't work.

The beginnings of something new in a couple of days.

'Til then...
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MR over at Quilt Matters has tagged me to answer some questions, so here goes:


1. What is your favourite book?


Oh, so hard to answer!  I'm a book worm and I love them so; but I'll have to say Toni Morrison's "The Bluest Eye".  I've read all of her books, but my introduction to her was "Tar Baby", and when I first read that book, I felt like the Universe had Toni write that book for me, personally - but I read it 7 or 8 times and couldn't figure out what the MESSAGE was (How annoying!) It wasn't until I read "The Bluest Eye" that I finally understood "Tar Baby" - and that's why, oddly, "The Bluest Eye" is my favourite. It explained so much about my self to me.




P.S. - some really bad photos from early in my career will be in this post!

2. If you could have dinner with one person, living or dead, who would it be?

Assuming you mean someone other than BSP, I'd have to say my mother. There's a lot more talking we need to do. 

3. When you free motion quilt, do you drop the feed dogs or quilt with them up?

I drop the feed dogs when I remember to. lol


4. What is your proudest quilting moment?

When I made "Man's Fans" - 'cuz when I quilted that, I finally knew that I could quilt!



Back:



5. When did you know you were hooked on quilting?

About 1/2 way through my first quilt. I already had designs for another 20 quilts in my head by that time. 


6. What is your favourite place in the world? Why?

Not to be too corny, but in my BSP's arms. I have never felt so loved, appreciated, admired, respected and safe as I do there.

Other than that - my sewing room!!!





7. What is a little known fact about you?

I am terrified, TERRIFIED of clowns.


8. If you were given $1,000 that you could spend on anything for YOU, what would you spend it on -- clothes, shoes, fabric? Something else?

Batting.  lol I  am in desperate need of batting! If I were being less practical, I would buy shelves with doors for my sewing room where I currently have shelves with boxes of fabric.  I have that set up because I haven't yet saved enough for shelves with doors!


LIATORP Glass-door cabinet IKEA 3 adjustable glass shelves.   Adjust spacing according to your storage needs.
9. What is your favourite quilt that you made?

I think my favourite one is still the second I made. I think it's incredible, In fact, I think I need to make one for myself now that I'm thinking about it!

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Sadly, I only have crap pictures of it because I didn't know how to take pictures then, and it was a commission.  

10. What is your favourite quilt that someone else made?

Victoria Gertenbach's "Work Quilt" she made several in this series - I loved the quilt itself, but I also loved how you could see her moving in a new direction as an artist - feeling her way to where she needed to be. It was a real privilege to be able to watch that process - and it's only because of blogging that we're able to!




And if you'd like to play along, please self-select!

Also, I entered Ontology Of A Rabbit in this week's Quilting Gallery contest.  After looking at the other submissions (the theme is "spring") if you feel moved to do so, you can vote HERE (you have to scroll all the way down to vote.)




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My sewing room has been featured on another site, and there were some comments there about how I'm "impossibly neat" and questions like "how does she create without making a mess?"  So, your Honour, I offer into evidence this picture of my table. I make a mess!  lol

This was the heap of stuff on one side during the construction of Ontology of a Rabbit. You can see bunny detritus alllllll through that. Rolled up gold leather, some silver sequins that didn't make the cut, a gorgeous chocolate brown ribbon that I'd pulled for binding until I decided to do an escape hatch closing (thanks Melody Jonhson!) tape and paint that was a possibility for B'rer Rabbit's nose or eyes (I was considering pink eyes for awhile but didn't like them in practice), pattern pieces - a host of other things.

Also - on a serious note - I wanted to let you know that my mother passed away a couple of weeks ago.

This isn't a plea for condolences, but I have run out of my pre-done posts now, and though I do have some things I can show you over the next little while (some fabrics I'd hand-dyed, a quilt show I went to, the results of the resin experiment, a bed quilt I've started and stalled on)  I don't have a lot of content left and I'm not feeling motivated to create at the moment, so posts may be light around here for a bit.

Fair warning!

Take care,
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If you wonder where the world of a flying rabbit comes from, the answer may be an even stranger thing than you first imagined.  

When I finished this little piece, I said to BSP “I don’t know what to call it...” – and BSP asked the usual question, “Well, what’s it about?”

Ontology of a Rabbit (c) 2012 Kit Lang (indoor lighting)

And I explained that this piece was about perception and reality and said that the title should convey that the world this rabbit was flying in was not a dreamscape, or an alternate universe outside our own, nor even that it was our present universe transformed by a fortunate confluence of stars, time of day and lighting – but that – in the rabbit’s mind, this was the “real” world – and who are we to say it isn’t?

Branch is made from a dark brown fabric with copper threads running through it;
leaves from gold mesh, hand sewn with gold thread

That just because we don’t see the world this way doesn’t mean that it isn’t real – it only means that we don’t have the correct perception, beliefs and societal constructs in place (i.e. that rabbits fly and that leaves are jewels)  to believe that its real.

We agreed that was a tall order for a title.  :D


Look Ma, I used beads!

But while I was making this piece, I was having Deep Thoughts (no relation to Jack Handy) about anti-realism (i.e. that there is no objective reality – life is how you perceive it); cultural relativism (that reality is constructed by cultural and mental iconography, religious and political movements and societal constructs of what is “real”); and moral relativism (ethical standards, morality, and right or wrong are culturally based, and that therefore, we all decide what is right for ourselves, dependent upon our particular culture.)  


Light tan suede, copper & brown silk from the challenge fabrics plus my own shiny fabrics.

I suppose you might wonder why I have been thinking about these things, but in recent weeks there have been some news stories out of the United States that have raised issues that had me feeling quite depressed.  In particular, what was “hot” during the construction of this piece:


Painted lutradur nose and eye

The Kony 2012 meme. That video propaganda was so carefully constructed that it got a shocking number of people to agree that we in the West ought to involve ourselves in the civil war in Uganda and further, that we ought to pursue that war despite the facts that doing so would:

Rabbit`s body made from that amazing snow dyed polyester fabric

a: support armies who use children to fight their wars (although that was the very problem Invisible Children particularized with Kony); and that

b: by supporting Invisible Children’s chosen army, we were supporting soldiers who are currently literally raping their way across Uganda leaving in their wake rape’s attendant despair, demoralization, physical and psychic pain, disease and children.

 
A flying Easter bunny!

And when the figureheads of Invisible Children (those behind Kony 2012) were asked about these issues (and a host of other, problematic issues with their campaign), they said “Any help is better than none”.  And apparently, millions of Americans and Canadians agreed, as evidenced by their ‘likes’ & ‘shares’ on Facebook as well as their monetary support.  Moral relativism at it’s best – invisible children indeed!

Mr. Bunny`s tail is made from one of the painted squares in the challenge bag.

And I was also thinking about the kerfuffle with the United Nations several years ago with respect to the fact that their “universal” human rights were objectively Western.  I mean, “universal respect for, and observance of, human rights and fundamental freedoms” sounds awesome and every single one of us in the West can get behind that statement with a hearty “Goooooooo West!”; but said statement is a subject of continued and ongoing objections from non-Western countries, and with good reason - because how can universal human rights even exist, in such a culturally diverse world?

Japanese paper for the inner ears. 

And just who are we in the West to point fingers and say “Bad dog!” when American women’s right to have control over their own bodies (in 2012!) is a topic up for debate on the US national stage right now?  Cultural relativism – how you disturb me.

So… no matter what y/our stand is on the West’s involvement in Ugandan civil war/the pursuit of Kony: or whether your personal belief is that a bunch of men should get to decide for women in the US that they ought not to have access to birth control without having their right to privacy and their personal dignity invaded; and that their employer should get to be the one who makes that decision for her, or whether you believe that some wrongs are less wrong when they are done in the pursuit of a “greater” right;


Wings are gold leather turned backwards for the suede - with some of the beige japanese paper for the design

...the pervasive question that covers it all, is: Is it all right that one group’s morality carries the day for all groups? And who knows if we can agree on the answer to that question? But I’m quite sure the one thing we can all agree on, is that these are deep thoughts for a flying (?) bunny!

But that’s the funny thing. Sometimes when artists create something – even something as whimsical as a flying bunny in a fantastical fairy-tale looking world – there is actually some rather serious thinking going on behind it.  And sometimes, the incongruity of a flying rabbit seems the perfect vehicle to carry that mental turbulence.

 
Ontology of a Rabbit (c) 2012 Kit Lang - outdoor lighting (what a difference!)  

All of that said though, I really *do* think this is the “prettiest” thing I’ve ever made.  :)


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P.S.  Process posts here and here  and I am linking up with Amanda from Don't Tell Quilts for TGIFF. 
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