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I spent all day yesterday studiously ignoring what was happening south of the border.

We are in a polar vortex currently, so it's too cold for my little presh. But I took Riley for a quick jaunt.

After I brought her home, I went skating. Dearest reader, I haven't skated in literally decades. I fell a couple of times, brushed myself off, and popped up like Gumby, (not wanting to attract unwanted sympathetic attention); and even at the time, my ankles were quite screamy, but my body hurrrrrrrts today. 

A re-introduction to skating at 60 when I wasn't good at it when I was young, was certainly distracting.

And listening to the hockey players on the rink trash talking each other was quite amusing as I went round and round.


Then I went home and made my lunch - comfort food - tomato soup, grilled cheeze, and pickles. While drinking a big pot of tea, I scrolled my socials. Everybody else had their heads in the sand, too, which was comforting.

Then I had a long nap (3.5 hours!)

Then I made dinner - seasoned tofu steaks, rice, sauteed mushrooms and onions with a little onion gravy over.

Then I stitched a bit on this new bird, which is apparently going to be a series.

It seemed like a normal day.


But it didn't feel like one. 

Underneath it all, I was, I guess praying? I don't know to whom, I'm a pagan, and I mostly pray to trees, the sun, grass... Perhaps I prayed to Gitche Manitou, an internal whispering.

Asking that despite what our governments try to enact upon us, that humans turn to one another, and find in one another kindness, safety, help, strength, amity. A renewed belief in a social contract that encompasses all people in all their forms; that we quietly decide for ourselves that we will not only stand up, help, be a voice and a hand when the opportunity presents itself, but that we seek out those opportunities.

A whispered prayer that we decide to care about each other.

It's the only way through. 


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Last night I sat down in front of the TV, teed up The Moonflower Murders (not as good as The Magpie Murders but still enjoyable); made myself a thermos of tea, and set up a little TV tray with my sewing machine on it, and another with my iron and a towel as an ironing pad on that one.

Rather oddly, I find myself making a quilt. 

I was beavering away, sewing tiny pieces of wool together, listening to the TV and occasionally looking at it. At one point I looked up, and discovered I had an audience. 

She is SO. CUTE! ❤️



So, how did I come to be making a quilt, you ask? 

How long a story do you want?!? 😂

You may remember that I'm a blabber, so the shortest version I can give you, is that about four years ago, I found a bunch of wool in my stash, and realized I either needed to donate it, or do something with it. I decided to make myself a hand quilted wool quilt, like the ones I grew up with. 

I cleverly chose to do rather large-ish squares, but by the time all that hand-sewing was done, I was really over it, so I decided to hand-tie it rather than quilt it. And though I wasn't thrilled with the quilt itself (the colour scheme wasn't very me) I loved the result!

Several months after I made it though, my elderly cat developed urinary incontinence, and I'm sure you can see where this is going. 

Eventually, I had to throw it out, as nothing would remove the smell permanently. It would seem to be gone, but it always came back. So that was the end of that, and the end of my quiting forays, I thought. 

I had really wanted a wool quilt, as I had moved away from wanting to do something *different* than my aunties and grandmothers and great grandmothers, to wanting to stand in a line with them, and be part of something that stretched back hundreds of years.

However, long-time readers know that I have a few *dozen* quilts, and am in no need of anymore. 

So I thought my wool quilt would have to be an emotional connection to my forbearers, without any physical proof of it, and that would have to be enough.

Cut to, this past Saturday, I was scrolling through my neighbourhood group on Facebook, and I saw a post from a woman who was giving away her mother's fabric stash.  Her mother is now quite elderly, and no longer able to use it.

My neighbour posted several pictures. I gathered from them that her mom was a rug hooker, as her entire stash was wool, and mostly cut up into strips. The fabric itself, her daughter told me, was culled from old clothing.

Amongst the bags that she posted though, I saw one of fairly large chunks of royal blue and red. I asked her if I could have that one as I immediately thought about making a quilt for my grandson.

(Oh right, life update: my oldest son got married in 2019, BSP and I split up in 2020, Maggie (cat, 19), Jessie (cat, 19), Tyler (*much beloved dog, 17) all passed away within the same year and a half; two years later I got Riley (pictured); and I now have two grandchildren, a granddaughter (3.5) and a grandson (nearly 2). There! You're all caught up! 😉

So, I get to this woman's house on Sunday, and it turns out her mother's stash is VAST. 

Huge bags went all the way down the hallway from the front door to the kitchen, as well as dozens more taking up half of her daughter's living room! 

She had set aside the bag that I requested, but invited me to take a look.

As noted, almost all of it was cut into strips, but I saw a coat lining's worth of *this* gorgeousness thankfully uncut:


- clearly not enough for a quilt, but with some judicious additions, I think it could make an absolutely stunning throw for my bed, which is upholstered in that gorgeous rusty orange colour.

And I also saw this bag of REALLY! PRETTY!!! sage green and white plaid.

My inner fabric dragon said "It must be mine!", and my inner swamp witch said "Cut it! Cut it! Cut it now!", while dancing with joy. Lol

It was packaged in a bag with this equally beautiful soft cream wool, in exactly the same weight as the plaid. So I scooped it all up and ran home with my booty, like the "START THE CAR!!!" woman in that long-ago IKEA commercial. 
 
I checked it all over, and it was clean, with no moth, but musty smelling, so I aired all of it out all day and night on Monday on a line on my balcony; and brought it in to dry (it snowed on Monday) all day Tuesday.

On Tuesday night, I quieted the swamp witch (who hadn't stopped yelling since Sunday) by cutting it up. She was utterly delighted.

And that's how, last night, I ended up doing this:




I will assemble the blocks tonight, and then I'll put it aside for awhile, because there won't be enough blocks to make a queen sized quilt, (I'll have 15 nine inch blocks when I'm done).

So I'll need to find other fabrics to bulk it out, and I don't imagine I'll find them immediately.

The little swamp witch wants me to embroider cream blocks with yellow flowers. (Wood sorrel, or possibly goldenrod?); but that would be crazy, right? Right? 🤣

So after I've assembled these wool blocks, I'll put them away and have a think. 

Aren't you glad I told you the *short* version? 

Lol 

Talk to you soon-ish?

Until then, be kind to yourself and others. It's a tough old world out there.

Xo, Kit


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 lol I just checked the "historical posts" on my blog (because it's been literally years since I posted here); and the piece I'm going to talk to you about today is one that I started whittering about in 2018. 

Six years ago!

Anyway, I've been working on this piece on and off as the mood struck me, with the bulk of the work being done in 2024. 

I did the last stitches earlier today, and thought it was "done"; but maybe not?

I'll explain as we go. 

So, if my math is correct, 15 years ago I bought 4 little bird panels from Linda Kemshall. (Or maybe it was Laura? I can't remember.) I bought them because I loved them, and initially intended to just frame them; but when I actually received them, I was like..." I could do something with these."


*ahem* Of course I had no idea what the "something" might be; so they languished. 

Then I went through this phase about 10 years ago where I was printing watercolour on fabric. (I really need to get back to that; it was one of my very favourite things to do.)

And then, six years ago, I was sorting through allllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll of my various personally hand-dyed, hand printed, hand painted and watercolour printed fabric (I hope the abundance of "els" really concretizes the unbelievable amount of such fabric I had); and decided to either earmark it for an actual project or donate it. 

In doing so, I managed to decrease such fabrics to 2 bins. 

And in doing so, I found some watercolour printed fabric* that perfectly matched Ms. Kemshall's (Laura or Linda to be determined) birds. 



So, I started the long journey of stitching this piece. Pulling it out and adding some stitches now and again when the spirit moved me - I have been doing a lot of hand stitching over the last six years - but it's been spread amongst a lot of pieces - I have many large pieces on the go; as well as many more small pieces - I think I've finished around 50 small hand done pieces in that time. 

Anyway!

It's done now - or is it? 




Here it is - all done, buttttttt -  I think I need to put some feathers on that bird. Remember when I used to do birds? That whole series was 11 years ago!!!! Time really flies. No wonder I'm so old! lol

Anyway - I'm gonna sit on it a bit and think about it. If I did so, it would totally cover Linda/Laura's work - and is that okay? 

On the other hand, don't I need to make this mine? TBC

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Also, hey! I just jumped in here, like I didn't disappear for literally years, and I don't even know whether there's anyone still around. 

But, I kinda miss blogging, so I thought I would. 

P.S. I don't know when exactly I'll be back. It's kind of all up in the air. But if you're out there, hi!

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EPS: When I reviewed my previous posts about this piece, I said that these background fabrics were made using disperse dye, but this fabric is cotton; which is how I know it was actually made using the watercolour printing method - a very similar process (paint on paper and print on fabric); but disperse dye uses dye for polyester and acrylics on copy paper and is transferred using heat; and watercolour printing uses watercolour paint on watercolour paper, and is transferred to cotton fabric using weight.









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First, the one I'm most excited about - a new-to-me Necchi industrial. I've been wanting one for so long, and finally got one! This one is about 55 years old, and being of that vintage myself, I can attest to the fineness. lol I'm going to get her running this weekend and if I don't sew my fingers to one another (this thing is F-A-S-T and strong!); I'll let you know how it goes!
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Given the pushback on having a non-white mermaid in Disney's remake of the movie of the same name; I thought posting some older work might be appropriate.

From 13 years ago, here are:

We Are Mermaids Too




And

Little Karoo At Night



(which, by the way, is a piece I still hate. lol) 

But my point is...well, you know what my point is, right? 

Right. 


TTYL

Kit

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I had mentioned the last time we talked that a publisher had contacted me and asked that I illustrate a  poem in their upcoming book called “Power Poems for Small Humans". 

I enthusiastically agreed, and eventually, I was paired with poet Liz Morgan, whose poem is entitled “When Someone Asks About My Drawing of My Family”

I won’t share the poem here, but Liz's poem is about the many iterations of non-nuclear families. 

My original idea was inspired by the videos you may have seen that run on the theme of a blind dog who has a seeing eye goat bff, a donkey and a pig who are best friends, animals who adopt animals from other species, and my long time favourite: Roy and Silo, the two male penguins at NYC’s Central Park Zoo, who first fell in love, and then year after year, tried to raise a clutch of rocks, until the zookeepers finally gave them an egg to hatch and raise. She grew up to mate and have adopted babies of  her own. <3 

The sketch I shared with you six weeks ago of the little pig, was part of a larger piece that was going to be a farmyard composed of many iterations of different types of animal families. 




But then I was thinking about the brief I was given:

“… something between an illustration and an environment…the important thing is that the artwork meet and embellish the emotional place of the poem.

Now, I don’t know about you, but that gave me pause! It reminded me of when I was in second year at Uni, and a professor asked for “an intelligent, emotional response” to a text we had been given to read, and no further instruction. And it was worth 40% of our mark!  Boy, that struck terror into my heart. Lol

Anyway, as I considered this “between an illustration and an environment” I thought that perhaps I was being too literal. That a more abstract idea was called for.

I slept on it overnight, and realized that Roy and Silo ought to be my inspiration. When I thought about it the next day, I could “see” this two page spread as you see it here, and realized that was they way to go. My "Roy and Silo" are two stylized male birds (an eastern towhee and a black capped chickadee) who have a clutch of baby chickadees to nurture to adulthood. 

So I called it, "After Roy & Silo”.

Now that the publisher has the images for use in the book, I will unmount (dismount?) this piece and put a group of hares or perhaps a fox family in that blank space where the poem will be in the book. 

When that’s done, I’ll show you that version too. J

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