Pages

  • Home
Facebook Instagram Twitter
Studio Kit

Here we go, take two.

1.   Yay! Writing will be seen now! But take off the last three lines - was better without it.

2.   Still not liking the quilting on the right -I'm being lazy! Maybe more foliage-y type leaves (grass with seed heads and stuff), something more angular? Maybe the opposite? A section with big curves? With the shirt on the left side and taking up so much space, the right side needs to be more focussed on her.  Bears thinking on.

3.  colour palette's good now - I like that the colours a blurring into each other - appropriate for the dreamscape background - needs a little less yellow in that top right corner though - maybe some more teal in the very right hand side bleeding into the yellow-that-meets-the-wine

4. doll should be broken, but not decapitated! lol |Re-attach the doll's head at a broken-neck-angle, and re-position the doll's body - on it's side or kind of drooping towards the shirt.

5. speaking of the doll, I think it needs to be a red dress rather than a blouse/skirt combo.  With a lace collar. Brown oxford shoes rather black mary janes.

I'm ready to start piecing now!

Kit 120

Linking up with Nina-Marie Sayer for Off The Wall Fridays! 
7
Share

So, this is the first of my experimental posts - remember when we talked about ways to make me less bored as blogger? Some folks requested a look into the process before I ever pick up a piece of fabric.

So, I'll be talking to myself (and you) about the design process.  Here goes!

1. this piece is going to need to be big - 90 inches across maybe - 60 or so long - since the shirt is a real shirt.

2. Background quilting - good for the most part - I like the mix of her thoughts (as represented by the flower quilting, waves and pebble quilting) mixed with his more angular and confused thinking

3. the writing is a good affect but maybe on top of the painting? There's a lack of clarity there that is problematic - the writing is where the power is in the piece

4.  Not sure about the placement of the doll and shirt. Maybe they need to be switched?

5. I like the colour palette but needs to be less demarcated - also teal needs to be more teal - all the colours need to be slightly more intense, actually.

Feel free to throw your hat in the ring - with questions and comments.  This isn't going to be a collaborative effort, but I'm working on this piece real time so your thoughts are welcome. :)

Kit 120
Linking up with WIP Wednesday at The Needle and Thread Network.
11
Share


Do you know about Melanie Testa's campaign to raise awareness for women who choose to not have reconstructive surgery or wear prosthesis after having a mastectomy?

She talks about it HERE.  



Essentially, she wants us (yes, you too!) to provide her with pockets - one or two or 20 - however many you feel moved to make; pockets that are functional or not, made out of paper or knitted or quilted, or ... the sky's the limit!




She wants you to make her pockets, because if she can get 1000 pockets from all of us, within the next two weeks, a reporter in her town will do a news story about non-reconstructed breast cancer survivors.




My Tante Piekjte (or Tante Pie pronounced "Pea") was a breast cancer survivor.




She was not only my favourite aunt (I had seven); but she was my favourite person ever - smart and funny and independent - as a child of the 60's, her life was both unlikely and aspirational - surrounded as I was by women who were stay at home mothers, who had never had a career or even thought of one, who had university educations but only used them to find husbands; who bent to their husband's will and seemingly ceded their opinion in all things to someone else's wishes.



But my Tante Pie was single by choice,lived in a beautiful condo apartments in Amsterdam and New York; had a senior position with a very well respected government institution, had beautiful clothes, expensive jewellery, travelled extensively, and was unashamedly eccentric.



She also had a single, unreconstructed breast, that she was not ashamed of and felt no need to disguise.



She passed away 8 years ago at the age of 86, having lived a long and happy life.

So I made 8 pockets in her honour.

If you'd like to be part of Melly's quest to obtain 1,000 pockets and be part of her campaign to raise awareness for women who choose to forge their own way of being in the world - women like my wonderful Tante Pie and Melly herself - please contact Melly by leaving a comment on her BLOG and she'll forward you mailing details.

I hope you'll join us!

Kit 120
2
Share

(All pics are clickable for a bigger view)

When I left you on Monday, Angélique and Claude had flown, and behind them, the city of Montréal burned. 

In colonial times, fire was the greatest fear; and it was often used as a tool of rebellion by slaves - a way to let their owners know exactly what they felt.  In fact, Angélique had used this tool already - the first time she and Claude ran away, she had set a small fire as a distraction.


But this particular "little fire" through great bad luck spread, and so Montreal burned.  

The very next day, having been found in Pauper's Park, Angélique was arrested and charged with deliberately burning the city down, although the accusation against her was based on nothing more than supposition and rumour. 


At her trial, witness after witness was brought before the judges, none of whom had actually seen her do it, or could prove that she had; the most credible witnesses against her were a woman who was "feeble-minded" who said Angélique was "agitated" before the trial, and another, with an ax to grind against Angélique, who said that Angélique had threatened to "burn the city down".

Months into the trial, a witness was finally brought forward who could swear that Angélique was guilty: 




..a five year old white child. 

That was good enough for the judges, and though Angélique still protested her innocence, she was found guilty and sentenced: her hands were to be cut off, and then she was to be burned alive in payment for her sins. 


At the time, being found guilty of a crime was not enough.  A prisoner who was found guilty, was  then tortured after the fact in order to determine if a full confession of the crime had occurred.  Unsurprisingly under these conditions, it was often discovered that more crimes had been committed. 


"Fortunately" for Angélique, at least one of the judges on the panel felt that there was some doubt whether she had done it - based mostly on Madam de Francheville's impassioned belief that Angélique would not and could not have done such a thing.  He appealed her sentence, and was successful - instead of having her hands cut off and being burned alive, Angélique would be given the boot, then hung, and then she would be burned. 



But, you may be asking, what about Claude?

Claude, that inconstant lover, left her behind that night in Pauper's Park and was never heard from nor seen again.

Despite this betrayal, even under torture, Angélique refused to give him up. Though she finally did "confess" to setting the fire, she remained steadfast and true, saying that it was she and she alone who committed the crime.  One year after her death, they closed the case and stopped looking for Claude Thibault. 
Montréal was re-built, life went on, and until 1925, Angélique was forgotten.

Since then, scholarly books and papers have been written about her; novels, poems, art installations, films and a documentary have been done with Angélique as their subject; but no one really knows the truth of what happened that night.  

Some scholars believe that with her history of setting fires, her proven behaviour as a runaway slave and fire being a tool of rebellious slaves, it could hardly be believed that she didn't set the fire. 

Other, more recent scholarship says that Angélique was a scapegoat - a problem slave who needed getting rid of - with an enemy in the house next door who fell asleep over a fire that burned too brightly, and an angry public who needed someone to blame for their losses - it was only too convenient to choose Angélique.

If you've a mind to do it, there's a wonderful site HERE that offers a comprehensive study of the city at the time, offers witness testimony and other historical documents - even a short film that shows the route that Angélique was taken on her way to the gallows. 

You can become the detective-scholar yourself and perhaps, you'll come to your own conclusion about who committed this crime.



But I chose Angélique for "Broad Changes" because nearly 300 years after her death, she finally did effect change - her story brought to light the fact of Canadian slavery - an important historical fact - but also one that changes we Canadians culturally. 

No longer can we point fingers at our neighbours and say "Not I!"; and through that realization we can then look at the racism and xenophobia that lives in Canadian hearts just as it does in our American friends to the South. 


But more importantly, for me personally, Angélique is a heroine because whether she did or didn't burn Montreal: her heart was fired with rage against injustice, ablaze with a passionate belief in her right to have autonomy over her body, inflamed by her certainty that it was her right to choose who she should love, and alight with her belief in her singular, inalienable personhood. 

Angélique: incendiary.

Kit 120


Linking with Nina-Marie for Off the Wall Fridays and Thank Goodness It's Finished Friday at Better Off Thread
36
Share

Angélique needs some hair, don't you think? 

I do! 

I had originally made her bald because I intended her to have a head wrap as the female slaves did; but I decided that after months of imprisonment, torture and being carted from town to town, she would likely have lost her head covering. 




So I hand cut her hair out of some previously fused black and brown-black fabric, and got to cutting.  



There! Now all she needs is a trim. :)



And then flames.  


I started by painting some lutradur (really, we should just leave that part out now, how many times in the last months have I said "I started by painting some lutradur"); but I did! And I painted



a few sheets in different variations of yellow, orange and reddish orange.


And then all that remained was to cut those flames out.



and put them around my girl.

The big finish on Friday!

Kit 120


P.S. - it's Wednesday, so I'm linking up with The Needle And Thread Network for WIP Wednesday.  Go on by and check it out!
12
Share

Well hello, and happy Monday! 

So, you may be wondering who this lovely (temporarily) bald woman is - her name is Angélique - and she's the whole point of this piece.  You see, it's for a call named "Broad Changes".  Participating artists are supposed to depict a woman who precipitated change, whether in the world, in thinking, or in you personally. 



Named Marie Joseph Angélique by her owners, but known as "Angelica" in her time, she holds the unusual distinction of being a folk hero under a name she was never called, in a country in which she never set foot. 
 
A woman born into slavery in Portugal in 1710, she was sold first to a Flemish man, then to a French businessman who had settled in New France (later the province of Quebec in a newly formed country, "Canada"); and then, upon his death, Angélique was willed to his widow. 
 
Ordinarily a house slave in the household of Madam de Francheville, Angélique was sometimes sent to work on the farm owned by the de Franchville family in Montréal, which is where, historically, we meet her. 



She was put on a breeding program by her owner and produced three children who had passed away, and at age 23 so, she was sent to Montréal; and there, she fell in love - with a white indentured servant named Claude Thibault, who worked for the same family at their farm.
 
Snatching what time together they could between their long work hours and under close watch, their love grew, and Angélique found what small happiness a slave could find. But troubled times were on the horizon - the lovers were about to be thwarted.  
 
Angélique was to be sent back to the de Francheville home, where she was going to be made to breed yet again. 
 
 

Angélique protested angrily and often against this plan to her owner, and as a result, things went from bad to worse. Feeling that she couldn't control Angélique, Madam de Francheville arranged to sell her to another farmer, and the lovers would never see one another again!

Desperate and in love, Angélique and Claude plotted an escape.

They were successful, but were captured weeks later.  Claude was sent to jail, while Angélique was returned to her owner, who would decide her fate. 




But Madam de Francheville was too busy with her late husband's business to deal with the "problem" of Angélique; so Angélique was able to visit Claude while he was in prison, and it was there that they once more plotted their escape.

When Claude was released from prison, they did so, this time under cover of fire! 

But, things went far more badly than they could have imagined.

Having set a small fire in the attic of her owner's house in order to distract from their escape, Angélique inadvertently set the entire city of Montréal ablaze; and that night, while they fled, the city burned.

She was eventually re-captured, tortured, sent to trial, found guilty and hung. 



Now known as "Angelique", she is a folk hero in Haiti, where, because of her "French" background, they, with their history of slavery under the French, claim her as their own. In Haiti, she is lauded as a heroine who burned down the city of Montreal in 1734 as an act of defiance and righteous anger because of the abuse she received at the hands of her owners.

In Canada, she was largely un-recognized and certainly wasn't lauded, she was a slave after all, and she burned down a city  - this was certainly not the stuff heroines are made of! Add to this the fact that Canadians were and are very invested in sweeping our history with slavery under the rug unless it's in the light of being a nice country that slaves escaped to and it is no wonder at all that Angélique`s story was almost never told.

Nevertheless, there have been books, plays and even epic poetry written about her over the years; and approximately 15 years ago, one novel in particular captured the imagination of the public, The Hanging of Angélique: The Untold Story of Canadian Slavery and the Burning of Old Montreal.

The tale of the slave who rebelled against a master's "right" to dictate her life was suddenly a heroine in the country where she died, and more than two hundred and fifty years later, her life has been celebrated - first, with a park and then, more recently, a statue was erected in her honour  in "Old Montreal".

This past January, a new documentary about her entitled Black Hands - Trial of An Arsonist Slave was released. 

But did she do it?

More, on Wednesday.

Kit 120
14
Share
Newer Posts Older Posts Home
Follow

Followers

Subscribe To

Posts
Atom
Posts
All Comments
Atom
All Comments

Find me on Facebook

Kit Lang Art

Promote Your Page Too

Find my work here

Find my work here

.

.

Member of:

Member of:

Popular Posts

  • Incendiary: Marie-Joseph Angelique
    (All pics are clickable for a bigger view) When I left you on Monday , Angélique and Claude had flown, and behind them, the city...
  • Hiraeth
    "Hiraeth"39" x 29" In the late fall of 2012, there was a call for a challenge group I don't belong to - "...
  • The 411, news and information post. :)
    Catch up time!! First of all, as promised, I'll tell you about the meaning behind each of the elements that were part of my Travyvon M...
  • Winter Is Coming
    My little transfer paint piece is complete. I've been reading Game of Thrones and my head is filled with images of that magical realis...
  • My Sewing Room, let me show you it!
    Well, good morning everyone - and welcome to my sewing room!  I'm so glad you decided to come for the tour! :) As you walk in to my...
  • Surprise Giveaway (to all of us! lol)
    Okay, to start with the good stuff... Here's what I'm giving away! No special hoops - if you want it - leave a comment - the...
  • Friday Finish and ANOTHER Giveaway!
    Golden Headed Blackbird (c) 2013 Kit Lang So, first things first: - here's my finished bird - a golden headed blackbird - and che...
  • America Now - Walking While Black
    In the black community in Canada and the US, when certain events happen to our brothers, our fathers, ourselves, we say "Oh ... DWB....
  • Blog Hop - Giveaway!
    COMMENTS CLOSED - Thanks everyone! It's a Saturday post and you know what that means... a surprise giveaway! I'm participating ...
  • Fairy Wren
    All done! Okay, I need to paint in that little stretch on the hem and I also need to paint the sides of the mounting board, but otherwi...

Labels

Angelique aquarelles argh Art Art 2009 Art 2010 Art 2011 Art 2012 Art 2012 Will work for Fire Art 2013 Art 2014 Art 2019 Art 2025 bead embroidery beading behind the green curtain bird series Bloggers Quilt Festival blogging break Bremen babies Briar Rose challenges Charley Harper collage and mixed media commissions completely terrifying things contemporary embroidery discharge disperse dye doh drawing class dum de dum eco dyeing encaustic ephemera er...oops ethereal exhibitions and shows experiments and play fabric dyeing fairy tales fern series festivals n' events First quilt foil For the birds Friday Link Post Friday' S-Linky Post from the discard file Fugitive Media Fun stuff Generation Q Magazine gifts hand -painted fabric hand painted fabric hand painted paper hand work handwork horn tootin' I'm a lucky girl illustration in progress in progress inspiration kit is talky Kit Lang learning Lunchtime project Mermaid Mixed Media mixed media art monoprint needle felting New blog new to me news nqr ONN other sewing paint lutradur and pellon painted lutradur painted lutradur and pellon painted paper painted papers painted quilt painted work paper work paperwork pellon stabilizer and lutradur political pretty stuff process Project Kit PSA Quilts Quilts 2008 Quilts 2009 Quilts 2010 Quilts 2011 Quilts 2012 rust dyed fabric S-A-T-U-R-D-A-Y-DAY SAQA saved me from myself SeeMe Gallery Sewing room shirt piece sketches small pieces Stolen art studio Taking Flight textile painting the 100 day project 2025 the gentle arts the journeymen quilts the process behind the process the100dayproject2025 thread painting totally cute things transfer paint and/or disperse dye Trayvon Martin tree series watercolor watercolor printing watercolour Week Link Post what next? whitewashed Will work for Fire Winging Away wip woman at work working with disposables works in progress world watercolor month 2016 Year In Review
Copyright © 2016 Studio Kit

Created By ThemeXpose | Distributed By Blogger Templates20