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I think there's some great reading here – I hope you'll enjoy it!


This is a *very* interesting article by Kathleen Loomis about Anne Loveless winning the Art Prize (the world's biggest purse in the art world - $200,000!) with her beautiful textile art piece  Sleeping Bear Dune Lakeshore. But it's not what you think – it's about why this won't make any difference to the larger art world, and why it won't change how textile art is thought of (craft, women's work, not-art)>

http://raggedclothcafe.com/2013/11/03/the-biggest-art-prize-in-the-world-by-kathleen-loomis/


This is an article from Matthew Schuler. He writes about how he believes creative people think – mean to be shared with the people in your life who just "don't get" you.  I recognized a lot of myself in it – perhaps you will too. :

http://www.matthewschuler.co/why-creative-people-sometimes-make-no-sense/


This is a fantastic article – one of my favourites that I read quite often – about how the art gallery system works.  You may have read it before yourself (it's not new); but some of you may not have – and it bears reminding if you any interest in those kinds of shows. Good reading even for those who don't!


http://www.artbusiness.com/osoquugalsys.html


This is a fiber artist I "discovered" through this blog, Ana Teresa Barboza. Her work is incredible!

http://www.ignant.de/2013/09/03/ana-teresa-barboza/


And these are a set of articles about using quilts to talk about words we are uncomfortable with. The accompanying interviews may be enlightening to those of you haven't considered the impact of the words on the people they are being spoken about.  Warning - the words are NSFW – but we're all big girls here, right?


http://cauchycomplete.wordpress.com/2013/11/13/life-as-a-picnic/

http://bitchesgetstitches.net/2013/11/13/champagne-strawberries/

http://cauchycomplete.wordpress.com/2012/01/28/a-follow-up-on-the-n-word/






Kit 120
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I actually haven't forgotten about the lunch time project - but it's taking a lot longer than the last one did!

The repetitiveness of these particular stitches is hard to be motivated by, and I have to put it aside for long stretches of time and work on something else.

But I'm in the home-stretch now. This hooped portion is nearly all I have left to do.


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Well, that's what we'll start with, anyway. 

I was in a park near work collecting leaves for a project, when I came upon this man feeding peanuts to the squirrels. I must have taken 20 or 30 pictures of this scene. I mean check out the squirrels! Those black blurs are squirrels coming and going - in the few minutes I stood there, snapping away, he must have individually fed 20 or 30 squirrels!  
 
I was really just trying to get a good picture of the squirrels, but when I got home, after looking at two or three of these pictures, I completely forgot about the squirrels. I kind of fell in love with this man as a subject. 
 
I mean, wow. 

There's a species of resignation in his face that reads as a quiet kind of sadness despite the fact that the squirrels were coming and taking the peanuts directly from his hands and the fact that he must find pleasure in this activity. Seeing the lush foliage around him that is nevertheless in an early stage of decay... as I looked at the photos, a story about him fell into place.  

I was quite taken with the aptness of it's being fall in this little scene - and suddenly, I realized, I'd captured something much more than I had intended. 

I think this will be one of the pieces I work on over the winter.

But back to what I'm working on right now...
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I am working on "The Boy" again.  

You may remember that I started him early in the summer and then sort of abandoned him when I lost the "feeling".  He was kind of a long shot anyway, as he was never a purposeful piece and came about as a result of a series of accidents, anyway.

I had been working on a piece for a show about Oseola McCarty for a call for entry - and I had a very clear idea about what it was I wanted to do. 

But then the problems started. I pieced, quilted and painted THREE backgrounds (all 65" by 40") and never actually came up with one that worked for my original concept.
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Fair warning: this is a talky-talky post, so if you have little tolerance for such things, skip to the end. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~`

It seems I am always thinking about time.  

I used to think about time in terms of how little time I had to spend in the studio, and though I overcame my resentment at time spent away from it; I still struggled with What To Do while I  was in it. The whole "make pretty, or make art?" debate consumed a large portion of my thought process, and recently, making art expressly for sale took up a lot of my studio time, much to my chagrin.




But over the past several months, I've been struggling with time in relation to my own failing health.
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When I got to this point, I thought I was done, but as I looked at it, I realized that I didn't like the total sky  background. It was lifeless, and oddly drab in a way.  

Unfortunate in many ways, because I've already made up ten of these backgrounds in preparation for more birds. Alas - they'll have to be used for something else. But in the meantime, this bird needed to be cut out and put on a different background.

Shall we audition some? 
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