The agony of defeat...



So, after I painted the sky, the next thing on the list was the "pavement". Since this is supposed to represent an 18th century city and would need to be "cobblestone" and/or paved with bricks, I decided the shape of them would be achieved with quilting, so I just needed to paint a stone-ish background. 


To achieve this layered look, I started by mixing sap green and burnt umber...



Mmmmm.... yummy! 

Despite the "rotten vegetation" colour of the paint, I knew it would be a great under layer. So I daubed it on all over the pavement area, and then I mixed up some grey-ish blue, grey-ish black, grey-ish white, etc. 

In all, there were six grey-based colours which I layered one on top of each other to achieve the effect I was looking for. 


And I was pretty pleased with it at this point.  *pats self on shoulder*

Except....

Is anyone else noticing a problem here?  Maybe one of proportions?

If the focal point of this piece is what's happening on the street, this is great.  

Except, it's NOT. 


And if I trim it where that line is, the piece no longer fits within the parameter of the call.

It has to be a minimum of 40 inches on its shortest side.  Cutting all of that off would make it about 30 inches.

And you know what THAT means, right?

:: S I G H :: 

Kit 120

Kit Lang

11 comments:

  1. I'm with you gal....I HATE when this happens!!! You'll get it.....perhaps just not the first time around. Maybe your action could actually MOVE to the street??

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  2. Could you make "another" lower foreground? I kind of like the proportions---more of a distance view this way. Great colour mixing too! You are one talented artist :)

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  3. I agree with Mary and Arlee -- maybe have something happening in the street -- it would give it another focal point and you could keep the wonderful stuff you've already done.

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  4. That's disappointing, Kit, it's so beautiful! Can you cut off what you don't like and add another side to the street?

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  5. Maybe you could turn the street into a lake of ocean, and a beach? I love the houses. If nothing else, you could cut it off and finish it for your own private collection :-).

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  6. As Anna Hergert often says when she teaches, "It's just a sample." Just think: you've practiced your drawing; you have your colour-way formula in place...now you can take what you've learned to the *final* piece. :-)

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  7. Anonymous21.9.12

    I would leave it. I hope this doesn't offend but I did not know it was a paved street. I thought it was a cement wall and I was standing there looking over it to the city and sky. I like it, alot!

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  8. Oh no:( and it was looking so good! Does it have to be a road? I thought it looked like a panoramic cityscape or an open piazza and there could be perspective lines (quilted?) leading towards the houses, drawing your eye towards their detail. Arlee's idea of a lower foreground sounds a nice way to break up the proportional space :)

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  9. Oh oh oh ... I like the ideas of putting some action onto the street or add a beach and the ocean in the foreground. Otherwise ... I guess you'll have to start over ...

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  10. I'd say cut it and use it in another venue. It's going to be lovely. - well on it's way now...

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  11. I liked Elaines idea to give it perspective, maybe even have little fruit trees in tubs/fruit in baskets/a matchstick seller even, in the foreground, behind which is the central theme? if that makes sense lol
    Love your clouds too!

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