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I'm sorry to report that one of my favourite pieces has been stolen.

It was on its way back to me; had gotten as far as the shipper's Mississauga, Ontario plant - a mere 40 minutes from home, where it went *POOF!* The shipper has essentially said "these things happen" and nothing else, so I now have to make claim from my insurer.

So, this how it happened.

I sent it to the original people in June of 2013, for showing beginning in October. (Note: No, I don’t know WHY it had to be there so early,  but that was their request.)  We were told that the pieces would be shipped back to us the second week of February, 2014. 

When I didn’t receive it during February, I wasn’t too worried – I know that sometimes it takes a bit of time for them to get around to it. In the meantime, I got confirmation that "Silver Eared Mesia" was wanted for another show that was to begin in June, 2014, and the curator of that show wanted the pieces by May 1st. So when I hadn’t received it by the first week of March, I wrote to the first party inquiring about it, and asking whether it could be shipped back to me by no later than April 1st.

Which was when I was told it was shipped back to me the first week of December!!!

It’s been a very long, drawn out process to get this sad result, although I pretty much assumed as soon as I heard that it had been shipped months before (and at Christmas (!) ) that I was never going to see it again.

So, these are my learnings.

1.    I *always* ship my work by post marked “Fabric” or “Textile”, never as “art”. In future, I will       request that it be return-shipped the same way. (I have learned that it cannot be shipped by          FedEx in this manner, though – it has to be marked “art”. On the other hand, I feel much safer         with FedEx than I do with the postal service, even before this happened!)

 2.   In future, I will ask curators/convenors to NOTIFY me when they have sent something back to me. I don’t know that this would have had a better result had I known earlier that it went missing, but it  couldn’t have helped that it was three months AFTER it was shipped that I finally found out it was missing.
 
3.    If things do go missing, use social media to notify people as soon as possible. I posted about the  loss on Facebook when I got the final result of the investigation yesterday, and that post was   shared  over a 100 times, and has gotten nearly a thousand views! I could certainly have used that kind of exposure when it first went missing!

 4.    Post a “stolen art” ad on Craiglist and Kijji in the city where it went missing. Perhaps you’ll get some result that way. It can’t hurt to try it for the negligible cost.

I’m upset by this loss as it was one of my favourites in the series. I'm also upset because I have not been able to re-create that branch (so far) and  I was looking forward to getting it back so I could study it.

But mostly, it’s upsetting to me that the person who now possesses the piece is a thief: a person with no sensitivity or fellow feeling with me as an artist.

Someone who can do this has no connection with me as a maker, nor for what I’m trying to convey with the work, nor with my overall artistic statement. They simply saw something they wanted (or perhaps wanted to give as a Christmas gift without having to bother paying for it), and decided to take it.

It makes me unutterably sad to know that my little bird is in the possession of such a person.

I’m sorry to end this post on such a low note, but unfortunately, that’s all I have to say about this.
 
I hope this never happens to any of you.

 
 
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Picture from The Huffington Post

I meant to share this link with you quite awhile ago, and then lost track of it somehow. It's a bit out of date now, but still offers some great eye candy and an interesting perspective.  An article on quilts in the Huffington Post, here

George Lucas is planning to open a Museum of Narrative Art. The premise sounds very interesting. Would you go? Check that out here

More street art - this time, deliberately interactive, from Kelsey Montague, here

Over at This Colloassal, they're showing Mike Stilkey's new paintings on salvaged books, like so:




here

Because I always love looking at other artist's studios (Cezanne's is still my dream studio!); here's a link to HyperAllergic's peek into the studios of three artists. Check that out here

Sheila Frampton Cooper has a post up about her exhibit in Lauris, France. If you haven't seen her pictures on Facebook or elsewhere, my lord, drop everything and go look. Right NOW.  lol Her work is beautiful (of course),  but the juxtaposition of her very contemporary work in those caves?!? AMAZING.  I actually have those pics saved on my Evernote and I look at that over and over again. Aspirational. :) And and and, there's a video of her artist's talk!  Check all of that out here 

Also over at HyperAllergic, continuing with the Detroit Art story that I've posted about three or four times over the last several months, the latest is that the collection has been valued at just over 4 and 1/2 billion, but will likely sell for just between 1 and 2 billion (different articles I've read say different things), meaning that the city will STILL be bankrupt, so...  <sigh>  Anyway, check that out here


And a last minute entry: Monika Kinner-Whalen has a process post that's the next best thing to a tutorial here

Have a great weekend!!!!  :)

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More street art of course, this week from Sainer and Bezt of Etam Cru at This Colossal. You can find the article here

The Palm Beach New Times has an article about Farley Aquilar a contemporary painter. You can find that article here

arlee barr has a great tutorial on how to machine stitch on solubles. I've always wanted to know how to do that! You can find it here

Over at Beautiful Decay, they have the ephemeral art of Hilary Fayle who embroiders leaves. Yup. Leaves. Check that out here

WUMW.com has an article about fiber artist Kyoung Ae Cho who uses her hair and fiber to make quilts and other fiber art. Check that out here

The Roanoke Times has an article about a quilt exhibit at the Montgomery Museum and Lewis Miller Regional Art Center entitled “A Pieced History: Quilts of Montgomery County” in Christansburg, VA, showcasing locally made historical quilts. You can find out more about that here and if you're in the area, check it out.


Heather Dubreil writes about her experience of a Nancy Crow exhibit at  Hat and Fragrance Textile Gallery. entitled Nancy Crow, Seeking Beauty: Riffs on Repetition, part of the Vermont Quilt Festival. I was pleased to read about it, as I have been having trouble parsing Ms. Crow's new direction since I first saw her new work exhibited at The Festival of Quilts in the UK a couple of years ago. You can read about it at Heather's blog, here. 

The Sante Fe Reporter has an article about LaDonna Meyer's new textile art gallery called the Contemporary Tapestry Gallery and its inaugural show called "In Loom". You can read about that here

Busy week this week, so that's all she wrote. Cheers!



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Street Art by Martin Ron Murales. picture courtesy of Bon Expose

Bon Expose has a great feature about one of my favourite things: Street Art. You can check that out here

And hey, speaking of street art, Web Urbanist did some leg work for me, and found out that Google has been collecting it for all of us. Take a look at that here

Over at The Fader, they've done an interview with textile artist Eric N'Mack. His work is not typical. Find that interview, here

If you live in Melborne, Florida, you should check out the latest exhibit at the Foosaner Art Museum. The exhibit, entitled "Infinite Mirror: Images of American Identity.”  runs through Aug. 17, and "expresses the struggles of a diverse population coming together as one. " Read about that here

The Journal out of the UK has an article about textile artist Donna Cheshire (makes really NEAT stuff) here

Beautiful Decay has an online exhibit of photographer Jason DeMarte's photography combining Cheetos, bacon, and landscapes to make rather compelling art (No really!) that offers effective social critique about our consumption and what it does to the environment. (At least, that's my interpretation. The artist says otherwise. lol)   here

The Business Standard out of India, has an article on a quilting book, notable, I think, for the subtext about a woman's "place" in the world (not in it) and it's patronizing tone; but that just may be feminist reading of the article. Anyway, a pretty picture accompanies it, and you may wish to read the book find the article  - here 

The Gadsey Times has an article and call for entry about the "Stitching Across Alabama" exhibit at the Gadsen Museum (with a rather breathtaking example of a traditional quilt) which you may be interested in here

And only extremely tenuously fibre related, here is a collection of vintage Halloween Costumes to scare the crap out of you ('cuz you know I like to do that every once in a while). Find that (if you dare!) here

And that's all she wrote! Sorry that the links are a bit less than, shall we say substantive, or edifying this week, but it's been a busy one both at home and at  dayjorb.

Have a great weekend and see you Monday!




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We're FINALLY going to get to work in my new studio, so I thought I'd show you the "before".

Off to the right (where you can't see) is another large window that's also a door, and you know where that goes? Out onto a back deck!


It's amazing to have such a bright space after being in the basement for the last 6 years; but if you think it's bright now, it's going to be blinding after it's all painted bright white. :) That window in the top left area is going to hold the "office" space, and there's going to be other new, purpose-driven furniture, as well as some replacements of some broken dressers (the movers were NOT gentle with our things.)
 

Over on that wall by the stairs, there'll be a design wall, art on the other walls, books on shelves... it's gonna be good, no?

I'm really excited. :)

See you on Friday with the Week Links Post,  and next week, back to our regular posting from Atelier Kit!



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Landscape - Ana Teresa Barboza
A
I know I have featured work by fiber artist Ana Teresa Barboza here before, but she's done it again. This Colossal has alerted via their post here

Over at Beautiful Decay, they have a post about performance artist, Deborah de Robertis, reinacting Gustav Courbet's painting "The Origin of The World". It is of course, not safe for work, and I do suggest you watch the video. Not for any salacious reasons (there's nothing to see, anyway); but because what's interesting about this performance piece is the reaction of the people who see her. Which is of course, at least one of the reasons she does it. Quite edifying...that's here

The Huffington Post has the "definitive guide" to reading a piece of abstract art. Check that out, here.

Here's Bill Drummond's Ten Commandments of Art. Sure, why not!? Check it out here.

At Beautiful Decay again, the bieautiful paper sculptures of Allen and Patty Eckman. Check that out here



© Terry Vital. Windham, NH. 1st Place / Others.

Winners of the iPhone Photography Awards Contest have been announced. You can find that here

NPR has an article called "Stitch This" - three books about quilting. Read that here

PolicyMic has a post entitled "14 Incredible Works that Have Re-Defined Art In the 21st Century". Now there's a title that'll grab your attention! Check that out here

And that's all she wrote. :)

Ta,

Kit


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