Over at Behance, they're highlighting a show by artists Aitch and Saddo called Coffins. It's VERY interesting wish I could see it, but here's a sneak peek!
Check that out here
I don't think I posted this before although I meant to. The Huffington |Post has an article entitled "Your Definitive Guide To Reading a Piece of Abstract Art". Now you know. ;) here (Note: what they say about emotion is true: Rothko makes me gasp for breath and "No. 14" has literally brought me to tears. BSP feels that way about Kandinsky, who does nothing for me. What are you gonna do, right? :) )
No. 14
There's a very interesting article from Paula Roland on the Surface Design Blog; about encaustic monoprinting. At least, it's very interesting to me! :) Check that out here
There's an article here about a fiber show at the Estevan Art Gallery in Saskatchewan, called Hi-Fibre Content. Looks interesting if you're in the area!
There's an article in the FT Times about Susan Lenz's solo show. You can find that here
Pattern Places has an article about Rebecca Louise Law's flower installations. They're quite something! Check them out here
No street art pictures this week (although you *know* I have some -street art is totally a thing right now) - instead - Sotheby's has a really great article/interview with Steve Lazarides ahead of the Banksy exhibit. Everything you didn't know you didn't know about Banksy! here
This Colossal has a great video of Master Korean ceramists at Icheon Ceramics, here (I've watched it 3 times now). They are all quite different from one another, and the tools they use to achieve their effects were a revelation to me. (Plus the soundtrack is very beautiful.)
Cheers,
Kit
More outdoor art, this time at Web Urbanist. OaKoAk is doing cartoon characters in his native France. Check that out here
Related: The New York Times has an in depth discussion about street art - when does grafitti become art? Here
Over on Behance, Carsten Witte has some really beautiful photography combining portraits and florals entitled "Fragrance". You can see them here
There is what looks to be a very interesting art show incorporating textiles, art books and sculpture, all "inspired by a single mysterious image of a small glass bottle containing remnants of the substance it contained and tied with a weathered label". It's for a show currently at the Warwick Art Gallery, but travelling to the Mundaring Gallery in Perth, Australia. Read about that here.
The Daily Record has an article about a show featuring the work of Paula Nadelstern, Amy Orr, Katherine Knauer and Robin Schwalb at the Morris Museum in Morristown, New Jersey called "Semper Tedium: The Slow Art of Quiltmaking". You can read about that here
Also at Beautiful Decay a feature on social activist/artist Nguyen Xuan Huy who "introduces us to the disruptive effects and ongoing legacy of the Vietnam War". The paintings are instructive and disturbing as well as edifying. They're worth seeing, but come with a maturity warning. Here
Again at The New York Times - a very interesting article about the art market. About the difficulty in selling Old Masters in the current market, it gives unexpected insight into the rest of the art market. “We’re entering a new era of collecting,” said the Paris dealer Giovanni Sarti. “When people come into my gallery they look at the name and they ask the price. They don’t really look at the painting.” Hmm.. You can read that here
Fine Art Tips offers advice on how to dramatically improve your art. It's for painters but can be applicable to us as well. Here
Following up on the "becoming a professional artist" article I posted a couple of weeks ago, here's one from Muddy Waters called "for love or money" that offers advice on the same theme.
Here's an article about an AMAZING photographer's work Kiripi Katembo Siku - go see - they're sooooo beautiful.
I'm sorry to
report that one of my favourite pieces has been stolen.
It was on
its way back to me; had gotten as far as the shipper's Mississauga, Ontario
plant - a mere 40 minutes from home, where it went *POOF!* The shipper has
essentially said "these things happen" and nothing else, so I now
have to make claim from my insurer.
So, this how
it happened.
I sent it to
the original people in June of 2013, for showing beginning in October. (Note: No, I don’t
know WHY it had to be there so early,
but that was their request.) We were told
that the pieces would be shipped back to us the second week of February, 2014.
When I didn’t
receive it during February, I wasn’t too worried – I know that sometimes it
takes a bit of time for them to get around to it. In the meantime, I got
confirmation that "Silver Eared Mesia" was wanted for another show that was to begin in June, 2014,
and the curator of that show wanted the pieces by May 1st. So when I
hadn’t received it by the first week of March, I wrote to the first party
inquiring about it, and asking whether it could be shipped back to me by no later than April 1st.
Which was when
I was told it was shipped back to me the first week of December!!!
It’s been a
very long, drawn out process to get this sad result, although I pretty much
assumed as soon as I heard that it had been shipped months before (and at
Christmas (!) ) that I was never going to see it again.
So, these
are my learnings.
1. I *always* ship my work by post
marked “Fabric” or “Textile”, never as “art”. In future, I will request that it be return-shipped the same
way. (I have learned that it cannot be shipped by FedEx in this manner, though – it has to be marked “art”. On
the other hand, I feel much safer with
FedEx than I do with the postal service, even before this happened!)
3. If things do go missing, use social media to notify people as soon as possible. I posted about the loss on Facebook when I got the final result of the investigation yesterday, and that post was shared over a 100 times, and has gotten nearly a thousand views! I could certainly have used that kind of exposure when it first went missing!
I’m upset by
this loss as it was one of my favourites in the series. I'm also upset because I have not been able to re-create that branch (so far) and I was looking forward to
getting it back so I could study it.
But mostly, it’s upsetting to me that the person who now possesses the piece is a thief: a person with no sensitivity or fellow feeling with me as an artist.
Someone who
can do this has no connection with me as a maker, nor for what I’m trying to
convey with the work, nor with my overall artistic statement. They simply saw
something they wanted (or perhaps wanted to give as a Christmas gift without
having to bother paying for it), and decided to take it.
It makes me
unutterably sad to know that my little bird is in the possession of such a
person.
I’m sorry to
end this post on such a low note, but unfortunately, that’s all I have to say about this.
Picture from The Huffington Post
I meant to share this link with you quite awhile ago, and then lost track of it somehow. It's a bit out of date now, but still offers some great eye candy and an interesting perspective. An article on quilts in the Huffington Post, here
George Lucas is planning to open a Museum of Narrative Art. The premise sounds very interesting. Would you go? Check that out here
More street art - this time, deliberately interactive, from Kelsey Montague, here
Over at This Colloassal, they're showing Mike Stilkey's new paintings on salvaged books, like so:
here
Because I always love looking at other artist's studios (Cezanne's is still my dream studio!); here's a link to HyperAllergic's peek into the studios of three artists. Check that out here
Sheila Frampton Cooper has a post up about her exhibit in Lauris, France. If you haven't seen her pictures on Facebook or elsewhere, my lord, drop everything and go look. Right NOW. lol Her work is beautiful (of course), but the juxtaposition of her very contemporary work in those caves?!? AMAZING. I actually have those pics saved on my Evernote and I look at that over and over again. Aspirational. :) And and and, there's a video of her artist's talk! Check all of that out here
Also over at HyperAllergic, continuing with the Detroit Art story that I've posted about three or four times over the last several months, the latest is that the collection has been valued at just over 4 and 1/2 billion, but will likely sell for just between 1 and 2 billion (different articles I've read say different things), meaning that the city will STILL be bankrupt, so... <sigh> Anyway, check that out here
And a last minute entry: Monika Kinner-Whalen has a process post that's the next best thing to a tutorial here
Have a great weekend!!!! :)
More street art of course, this week from Sainer and Bezt of Etam Cru at This Colossal. You can find the article here
The Palm Beach New Times has an article about Farley Aquilar a contemporary painter. You can find that article here
arlee barr has a great tutorial on how to machine stitch on solubles. I've always wanted to know how to do that! You can find it here
Over at Beautiful Decay, they have the ephemeral art of Hilary Fayle who embroiders leaves. Yup. Leaves. Check that out here
WUMW.com has an article about fiber artist Kyoung Ae Cho who uses her hair and fiber to make quilts and other fiber art. Check that out here
The Roanoke Times has an article about a quilt exhibit at the Montgomery Museum and Lewis Miller Regional Art Center entitled “A Pieced History: Quilts of Montgomery County” in Christansburg, VA, showcasing locally made historical quilts. You can find out more about that here and if you're in the area, check it out.
Heather Dubreil writes about her experience of a Nancy Crow exhibit at Hat and Fragrance Textile Gallery. entitled Nancy Crow, Seeking Beauty: Riffs on Repetition, part of the Vermont Quilt Festival. I was pleased to read about it, as I have been having trouble parsing Ms. Crow's new direction since I first saw her new work exhibited at The Festival of Quilts in the UK a couple of years ago. You can read about it at Heather's blog, here.
The Sante Fe Reporter has an article about LaDonna Meyer's new textile art gallery called the Contemporary Tapestry Gallery and its inaugural show called "In Loom". You can read about that here
Busy week this week, so that's all she wrote. Cheers!
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