I'm starting with this even though it's kind of the middle thing I did, just 'cuz it's so pretty.
So let's go through it.
1. Top left hand corner, I was painting some clouds. They dried very quickly, so I moved on to the next thing -
2. quilting some background branches and trunks,
3. there they are on the background (which also had some abstract ground work done)
4. (bottom left hand corner) Then, because I'm still in a birches kind of mood, I laid some down. You can see I had started the hand-stitching part;
5. I added some gray paint to the plain white one on the right, so you can see how I did it; and
6. The birch trees are done (you'll see I knocked back the background leaves a bit with some cream paint) and I also stuck in a fence. More to come on this piece, later this week.
1. Top left hand corner, I was painting some clouds. They dried very quickly, so I moved on to the next thing -
2. quilting some background branches and trunks,
3. there they are on the background (which also had some abstract ground work done)
4. (bottom left hand corner) Then, because I'm still in a birches kind of mood, I laid some down. You can see I had started the hand-stitching part;
5. I added some gray paint to the plain white one on the right, so you can see how I did it; and
6. The birch trees are done (you'll see I knocked back the background leaves a bit with some cream paint) and I also stuck in a fence. More to come on this piece, later this week.
And the REASON I was doing that, was because...
Happy Friday!
(I don't have embroidery to show you today, so I thought I'd share a t-shirt I found that made me laugh. :D )
Here's my links post!
First up, an artist I was introduced this week, Linda Eaton-Marcille working out of Crows Nest Studio. She not only does wonderful hand embroidery in the naive style, she writes equally wonderful stories to go with them. This is her latest piece - I am giving you the link to the first part of the story as she began her stitching HERE
Over at Textile Artists, they have part two of an interview with the "Stitching and Beyond" group in Tasmania. Part Two speaks to Lauree Brown, Lijlija Armstrong, and JunHope. I especially love Lauree Brown's work, but all three artists are well worth having a look at. You can find that HERE.
Then there's part three of the same interview HERE (focusing on Marta Brysha, Sandra Champion and shoemaker [!]
Over on Artists Network there is an article called "A Painters Guide to Composition" which fiber artists may find useful too
And a fun one at Hyperallergenic "Re-Considering The Artistic Legacy of Wile E. Coyote" . It's actually quite insightful. :)
Have a great weekend. See you on Monday!
Here's my links post!
First up, an artist I was introduced this week, Linda Eaton-Marcille working out of Crows Nest Studio. She not only does wonderful hand embroidery in the naive style, she writes equally wonderful stories to go with them. This is her latest piece - I am giving you the link to the first part of the story as she began her stitching HERE
Over at Textile Artists, they have part two of an interview with the "Stitching and Beyond" group in Tasmania. Part Two speaks to Lauree Brown, Lijlija Armstrong, and JunHope. I especially love Lauree Brown's work, but all three artists are well worth having a look at. You can find that HERE.
Then there's part three of the same interview HERE (focusing on Marta Brysha, Sandra Champion and shoemaker [!]
Over on Artists Network there is an article called "A Painters Guide to Composition" which fiber artists may find useful too
And a fun one at Hyperallergenic "Re-Considering The Artistic Legacy of Wile E. Coyote" . It's actually quite insightful. :)
Have a great weekend. See you on Monday!
working title "Briar Rose".
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Because it's a "Little Kit" piece, Emmy Elephant has to put in a re-appearance as well, too, right?
I wanted her head in this specific position because Little Kit* is going to tuck in there in that empty space.
Clearly, I've changed Emmy's eye shape rather drastically, ...
I had a really busy weekend! Got a lot done (though none of it a "finish"), but am happy with it, starting with this little needle case I made.
Lots of good stuff here this week, so let's begin!
An article from Marie-Therese Wisniowski about the history of fabric and dyes, HERE
An article over on Textile Artist with James Fox about his machine embroidery HERE
Elizabeth Barton has written a very interesting blog about learning, and discovering style, and the value of imitating other artists HERE (I haven't gone back to read the comments, but I'm sure they'll be interesting too!)
The Tafa Forum has an article about men learning to embroider in prison HERE
Here's another article (a rather good one, I think) at Art Business.com on how to price your art HERE
In this week's eye candy, there's a stunningly beautiful book sculpture at Steampunk Tendencies HERE
In this week's "discomfitting art" link (lol) Figure/Ground Communication has done an interview (pictures at the bottom) with Anne Harris HERE
Over at Big Red and Shiny there is a review of Sonia Almeida's recent show "The Event We Call Seeing" at the Simone Subal Gallery in NYC (I'm sorry I didn't link to it before the show was over - it slipped through the cracks over the holidays), but I still think it's well worth reading as the review itself feels like you're talking to a friend and it's informative and offers a fresh perspective (Note: if you mouse over the picture in the header, you will be shown other pictures you can look at and click on). That article is HERE
And then my favourite this week (I must have gone back to that article 20 times since it was posted at Colossal); the wonderfully beautiful and totally temporary sculptures of Martin Hill over HERE
Hope you've had a great week and that your weekend is even better.
See you on Monday with...? 'Til then!

An article from Marie-Therese Wisniowski about the history of fabric and dyes, HERE
An article over on Textile Artist with James Fox about his machine embroidery HERE
Elizabeth Barton has written a very interesting blog about learning, and discovering style, and the value of imitating other artists HERE (I haven't gone back to read the comments, but I'm sure they'll be interesting too!)
(This week's lunch-time project is sadly unfinished, I'll have to catch up over the weekend!)
The Tafa Forum has an article about men learning to embroider in prison HERE
Here's another article (a rather good one, I think) at Art Business.com on how to price your art HERE
In this week's eye candy, there's a stunningly beautiful book sculpture at Steampunk Tendencies HERE
In this week's "discomfitting art" link (lol) Figure/Ground Communication has done an interview (pictures at the bottom) with Anne Harris HERE
Over at Big Red and Shiny there is a review of Sonia Almeida's recent show "The Event We Call Seeing" at the Simone Subal Gallery in NYC (I'm sorry I didn't link to it before the show was over - it slipped through the cracks over the holidays), but I still think it's well worth reading as the review itself feels like you're talking to a friend and it's informative and offers a fresh perspective (Note: if you mouse over the picture in the header, you will be shown other pictures you can look at and click on). That article is HERE
And then my favourite this week (I must have gone back to that article 20 times since it was posted at Colossal); the wonderfully beautiful and totally temporary sculptures of Martin Hill over HERE
Hope you've had a great week and that your weekend is even better.
See you on Monday with...? 'Til then!
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