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As I "warned" you on Wednesday, I've got lots and lots of really great links this week (I broke my baby toe and metatarsal last Thursday so I had a couple of days in bed) - so I'm just gonna jump right in with them!

Kurt Gledhil went to the Setouchi International Art Festival and took photographs of what he saw there. The results are art in themselves. Colossal has some of them results HERE.  (And Spoon and Tamago has a recap of the festival itself. Check that out HERE.)

You know how much I love the color field painters. I always thought that Mark Rothko's work would provide enough inspiration for contemporary quilts to keep you busy for a lifetime! Over at Painters Table, Sharon Butler writes about a modern color field painter, Sue William, and her show entitled WTC, WWIII Couch Size (on view at 303 Gallery in New York through February 22) HERE. 

Sue Williams 1280

Colossal has highlights from the Sony 2014 World Photography Awards shortlist (pretty!!!) HERE

A new take on the "drawing on stones and bones" thing that was big in the late 70's. French graphic designer DZO takes it to a whole new level HERE


Stone by DZO


I don't know if you're familiar with the textile artist, Tracey Lawko - but I just found out about her and her work is wonderful! I'm linking you to her landscape gallery HERE, but  check out the rest of her site while you're there. 

Li Hongbo makes incredible paper sculptures that are flexible. Christopher Jobsen says, in part:

Li Hongbo’s stunning, stretchable, paper sculptures, inspired by both traditional folk art and his time as a student learning to sculpt, challenge our perceptions. With a technique influenced by his fascination with traditional Chinese decorations known as paper gourds—made from glued layers of paper—Li Hongbo applies a honeycomb-like structure to form remarkably flexible sculptures.
They can currently be seen at the Klein Sun Gallery in New York, but if you're not there you can hve a look at them at Arrested Motion's blog HERE

Over at the Wooster Collective, Sara blogs about outdoor artist Alice Pasquini who's work is now being seen on walls and garbage bins in Madrid. Ms. Pasquini is a bit like Banksy, (only, being female, far less well known, but, in my opinion, more talented). *ahem* Her work can be seen at the Wooster Collective HERE



This has been making the rounds, so you may have seen it; but mixed media artist Anila Quayyum Agha has made incredibly beautiful wooden sculptures whose purpose is to cast the most amazing shadows on the wall - so both her sculptures and their shadows create two kinds of art. 

Agha says of her show,(currently a finalist at the 3rd Annual See.Me. Year in Review Competition) :

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.
Picture HERE at Twisted Sifter, with links to her website and the competition.

Emily Spicer reviews the exhibition A Dialogue with Nature: Romantic Landscapes from Britain and Germany on view at The Courtauld Gallery at Somerset House in London, UK. Her review is at Studio International HERE (and it taught me a lot!)

If you like landscape art (as I do), check out Art Contrarian's overview of Russian landscape artist Isaak Levitan HERE

But Does It Float has some wonderful photographs of contemporary painter Lia Melia's work HERE

Hyperallergic talks about the "nightmarish history of Spanish drawings" HERE 

Maria Calandra visits the studio of painter Loren Munk, (an artist who paints both "maps" and more traditional subject in a traditional way) and whose show You Are Here will be on view at Freight + Volume Gallery, New York from February 13 - March 15, 2014. That conversation can be read at Pencil In the Studio HERE

Contemporary Art Daily shows off Thomas Schutte's sculpture HERE

"Roadsworth"'s chalk drawings (another outdoor artist whose substrate are roads) can be seen at Colossal HERE

Over at Art Critical, John Goodrich writes about Lois Dodd's oil paintings, (whose show, Lois Dodd: Recent Paintings can be seen at the Alexandre Gallery in New York) and whose subject matter is nature. There's something peaceful, and rather happy feeling, about here work. His review and a few photos of her work can be seen HERE

I LOVE it when artists talk about process, I always learn something, or confirm something, or end up bemused and confounded and just take that away to puzzle over (lol). Anyway,  contemporary painter Suzanne Kammnin talks about hers over at Tilted Arc. You can find that HERE

Seung Hoon Park's photographs for his ongoing series Textus are made from cut up bits of film strips have a distinct patchwork feel to them. Prints are available through the Susan Spiritus Gallery and can be seen HERE.

Back to the Wooster Collective, they have a great video of other street art in Puerto Rico (I guess that's the theme today!). That video can be seen HERE

Over at Brooklyn Rail, Donatien Grau talks about the 'theatrical brutality" of Cezanne and Gaugin's work. His writing gives quite a bit of insight into the two artists and their friendship, and I also learned some things I didn't know about the period. You can find that HERE

I could go on and on, actually ( I read over a hundred art and art-related articles in that period!); but I'll leave you now with a post by Mirka Kaster over at Exploring the Art of It, in which she has written an article entitled "Arguing with the Supremacy of Abstract Art".  Intriguing! you can find that article HERE

Hope you have a great weekend and I'll ee you on Monday with lots of work (it's been very busy over here at Studio Kit!)

Till then!

Kit 120
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I was a lazy girl the past couple of days and did absolutely nothing! lol

So I thought I'd catch you up on the lunchtime projects - above is the week before last's offering (Week 8) which has a spelling mistake so I'll either have to take out the stitching, or leave it as is - it's supposed to ephemera after all, and exhibit the flotsam and jetsam of life, so I'm kind of leaning towards leaving the spelling mistake.




And here is Week 9 - unfinished, which is good for a WIP Wednesday, except *ahem*, I'm meant to be working on Week 10 this week. So I guess I'd better hop to it!  (That, among other things, lol, because I've been chatting and having fun with my work chum instead of working too!)

I'll see on Friday with the links - I'm really looking forward to sharing them with you this week - some really interesting stuff! Are you enjoying my Friday links posts?

See you then!
Kit 120
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My plan for today was to reveal the finished product of "Birches in Spring" and get a lot of work done on "Briar Rose".  But, best laid plans and all that - because most of my weekend was spent in bed with a migraine. Augh. So this weekend was not as interesting as I had hoped.

Nevertheless, in those hours when I was upright for awhile, I managed to make some roses. In fact, ...
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There's a lot to cover today, so let's just jump right in!

Textile Artist has done a review of "The Fine Art of Crochet" HERE



Illustration Friday has done a tutorial on how to use the colour wheel HERE and also offers nine ways to run a smart creative business HERE

Altoon Sultan blogs about her transition from landscapes to smaller, abstract works HERE
(If you click on no other link, I HIGHLY recommend you click on this one.  Really interesting stuff about the "burden of content".)

Contemporary Art Daily has done an review of the work of Michaela Meise HERE "If there is a common ground to the exhibited objects – a book, furniture, ceramics – it would be the notion of the grotesque" (The "grotesque" as a literary device was something I was very interested in when I was at uni, so its use in art is also interesting to me.)

And in a meta moment, I'm linking to Art Propelled's link post of some her favourite textile artists HERE

Textile Artist has done an interview with Raija Jokinen, a really interesting figurative textile artist HERE


Over at Thought Form, they've done a well-written review of  Marianne Gagnier's paintings HERE

Arts in Bushwick does a review of an outsider artists group show called "Outside In" (on display at Life on Mars Gallery in Brooklyn through March 1st). You can read about that HERE (wish I could go and see it!)

And finally, Clive Hicks-Jensen has a guest artist post by Peter Slight, who says:

In this recent post Clive talked about the importance of negative space and placement within an image. In the comments I mentioned the illustrator George Him who I feel displays a mastery of these skills. 
and then goes on to further discuss and illustrate that HERE. Good use of negative space is something we could all learn from!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

And totally off-topic, but since you all know how much I love fairies, I couldn't resist adding this :  Icelanders are protesting the building of a road because it will disturb the elves.

No seriously! A study in 1998 showed that 54.4% of people in Iceland believe in Fairies, and another paper in 2000 showed the same belief in elves.  I should move to Iceland! Yes/no? ;)

Have a great weekend!

Kit 120








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A little hand stitching...



 a little paint...



It's coming along. :)

Kit 120
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I'm starting with this even though it's kind of the middle thing I did, just 'cuz it's so pretty. 

So let's go through it.

1.  Top left hand corner, I was painting some clouds. They dried very quickly, so I moved on to the next thing -

2. quilting some background branches and trunks,

3.  there they are on the background (which also had some abstract ground work done)

4. (bottom left hand corner) Then, because I'm still in a birches kind of mood, I laid some down. You can see I had started the hand-stitching part;

5. I added some gray paint to the plain white one on the right, so you can see how I did it; and

6. The birch trees are done (you'll see I knocked back the background leaves a bit with some cream paint) and I also  stuck in a fence. More to come on this piece, later this week.

And the REASON I was doing that, was because...
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