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Okay. So, as you know, I work with Lutradur. I mean, I work with Lutradur a LOT. 

Some people get pretty crazy with it - melting it, burning it, moulding it, all kinds of stuff. I paint it, and pretty much stick to that, because I have yet to experiment with all the permutations of "paint" that I could do with Lutradur - I like to "master" something (if I can) before I move on from it. 

So, I had an idea for a piece I wanted to make.
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I can't believe it's been nearly 3 months since I've properly blogged - and longer still since I've been in my studio!

For those of you just catching up - we moved at the end  of  May. That meant my studio was packed up almost since the beginning of May. You'd think that would mean that I'd be back in my new studio by the middle of June - at least I did; but you'd be incorrect in that assumption. What with one thing and another, (and another and another! the details with which I will not bore you); I didn't actually get to start unpacking my studio until last week. 

There's still more to be done, but it's usable now (and I have begun a small step in that direction!); so I thought I'd show the very last thing I got done before it all went away for so long. 

I started with..
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I forgot to mention that America Now: Written on The Body, (right) and




Incendiary: Marie-Joseph Angelique are travelling with Mancuso into 2015.in a special exhibit called "Broad Changes: Women of Social Justice". 

Currently, the show is at World of Quilts in Manchester, NH. If  you're in the area, do check it out!

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I shall resume regular posting on Monday, August 19. 
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Over at Behance, they're highlighting a show by artists Aitch and Saddo called Coffins. It's VERY interesting wish I could see it, but here's a sneak peek!



Check that out here

You know how I feel about moths (or maybe you don't - and if you don't, I'm terrifed of them); but nevertheless, these FREAKING GIANT moths by Yumi Okita are quite beautiful. Check them out here

I don't think I posted this before although I meant to. The Huffington |Post has an article entitled "Your Definitive Guide To Reading a Piece of Abstract Art". Now you know. ;)  here  (Note: what they say about emotion is true: Rothko makes me gasp for breath and "No. 14" has literally brought me to tears. BSP feels that way about Kandinsky, who does nothing for me. What are you gonna do, right? :) )


No. 14

There's a very interesting article from Paula Roland on the Surface Design Blog; about encaustic monoprinting. At least, it's very interesting to me! :) Check that out here

There's an article here about a fiber show at the Estevan Art Gallery in Saskatchewan, called Hi-Fibre Content. Looks interesting if you're in the area!

There's an article in the FT Times about Susan Lenz's  solo show. You can find that here

Pattern Places has an article about Rebecca Louise Law's flower installations. They're quite something! Check them out here

No street art pictures this week (although you *know* I have some -street art is totally a thing right now) - instead - Sotheby's has a really great article/interview with Steve Lazarides ahead of the Banksy exhibit. Everything you didn't know you didn't know about Banksy! here

This Colossal has a great video of Master Korean ceramists at Icheon Ceramics, here (I've watched it 3 times now). They are all quite different from one another, and the tools they use to achieve their effects were a revelation to me. (Plus the soundtrack is very beautiful.)

Cheers,

Kit
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At Beautiful Decay, they're doing a feature about the fashion photographs of Sylwia Makris. Which are haunting and artful... here

More outdoor art, this time at Web Urbanist. OaKoAk is doing cartoon characters in his native France. Check that out here

Related: The New York Times has an in depth discussion about street art - when does grafitti become art? Here

Over on Behance, Carsten Witte has some really beautiful photography combining portraits and florals entitled "Fragrance".  You can see them here

There is what looks to be a very interesting art show incorporating textiles, art books and sculpture, all  "inspired by a single mysterious image of a small glass bottle containing remnants of the substance it contained and tied with a weathered label". It's for a show currently at the Warwick Art Gallery, but travelling to the Mundaring Gallery in Perth, Australia.  Read about that here.

The Daily Record has an article about a show featuring the work of Paula Nadelstern,  Amy Orr, Katherine Knauer and Robin Schwalb at the Morris Museum in Morristown, New Jersey called "Semper Tedium: The Slow Art of Quiltmaking". You can read about that here

Also at Beautiful Decay a feature on social activist/artist Nguyen Xuan Huy who "introduces us to the disruptive effects and ongoing legacy of the Vietnam War". The paintings are instructive and disturbing as well as edifying. They're worth seeing, but come with a maturity warning. Here

Again at The New York Times - a  very interesting article about the art market. About the difficulty in selling Old Masters in the current market, it gives unexpected insight into the rest of the art market. “We’re entering a new era of collecting,” said the Paris dealer Giovanni Sarti. “When people come into my gallery they look at the name and they ask the price. They don’t really look at the painting.”  Hmm..  You can read that here

Fine Art Tips offers advice on how to dramatically improve your art. It's for painters but can be applicable to us as well. Here

Following up on the "becoming a professional artist" article I posted a couple of weeks ago, here's one from Muddy Waters called "for love or money" that offers advice on the same theme. 

Here's an article about an AMAZING photographer's work Kiripi Katembo Siku - go see - they're sooooo beautiful.  
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